From the asphalt of the suburbs, from the love of my parents, from the breeze in the garden. I wanted the audience to feel what I felt, to see what I saw where I grew up. I can’t show my whole childhood, but I wanted the close up, intimate shots to feel as someone’s sight line throughout. I chose to use strictly medium to close up because I wanted the whole film to have this effect. I contemplated adding filters and changing the light but opted not to, as I wanted the film as raw as possible. The quick shots and cuts act as blinking through the moments.